Shakespeare the man > Early posthumous documentation > Anecdotes and documents
Seventeenth-century antiquaries began to collect anecdotes about Shakespeare, but no serious life was written until 1709, when Nicholas Rowe tried to assemble information from all available sources with the aim of producing a connected narrative. There were local traditions at Stratford: witticisms and lampoons of local characters; scandalous stories of drunkenness and sexual escapades. About 1661 the vicar of Stratford wrote in his diary: Shakespeare, Drayton, and Ben Jonson had a merry meeting, and it seems drank too hard; for Shakespeare died of a fever there contracted. On the other hand, the antiquary John Aubrey wrote in some notes about Shakespeare: He was not a company keeper; lived in Shoreditch; wouldn't be debauched, and, if invited to, writ he was in pain. Richard Davies, archdeacon of Lichfield, reported, He died a papist. How much trust can be put in such a story is uncertain. In the early 18th century a story appeared that Queen Elizabeth had obliged Shakespeare to write a play of Sir John Falstaff in love and that he had performed the task (The Merry Wives of Windsor) in a fortnight. There are other stories, all of uncertain authenticity and some mere fabrications.
When serious scholarship began in the 18th century, it was too late to gain anything from traditions. But documents began to be discovered. Shakespeare's will was found in 1747 and his marriage license in 1836. The documents relating to the Mountjoy lawsuit already mentioned were found and printed in 1910. It is conceivable that further documents of a legal nature may yet be discovered, but as time passes the hope becomes more remote. Modern scholarship is more concerned to study Shakespeare in relation to his social environment, both in Stratford and in London. This is not easy, because the author and actor lived a somewhat detached life: a respected tithe-owning country gentleman in Stratford, perhaps, but a rather rootless artist in London.
John Russell Brown
Terence John Bew Spencer
Ed.
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·Introduction
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·Shakespeare the man
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·Shakespeare the poet and dramatist
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·Shakespeare's plays and poems
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·The early plays
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·The poems
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·Plays of the middle and late years
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·Shakespeare's sources
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·Understanding Shakespeare
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·Questions of authorship
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·Linguistic, historical, textual, and editorial problems
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·Literary criticism
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·Seventeenth century
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·Eighteenth century
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·Romantic critics
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·Twentieth century and beyond
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·Additional Reading
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·Modern editions
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·Shakespeare biography
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·Shakespearean staging and acting companies
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·Censorship and governmental regulation
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·Critical studies
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·History of Shakespeare criticism
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·Criticism of Shakespearean characters
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·Historical criticism
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·New Criticism
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·Shakespeare's language and imagery
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·Psychological, archetypal, and mythological criticism
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·New Historicism, cultural materialism, Marxist criticism, and political theatre
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·Feminist criticism and gender studies
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·Post-structuralism and deconstruction
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·Broad-spectrum criticism: language, themes, thought
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·Shakespearean comedy
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·Shakespearean tragedy
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·Shakespearean history
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·Dramaturgy and Shakespeare in the theatre
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